Showing posts with label Manos Achalinotopoulos. Show all posts
Showing posts with label Manos Achalinotopoulos. Show all posts

Sunday, October 7, 2012

Global Greek Filmmaker Vicky Yiannoutsos' Persephone's Plight Comes Home to Greece...

“I carry two cultures, two languages, two worlds.
I belong to both, I belong to neither.
I am Persephone destined forever to journey between them.”
Vicky Yiannoutsos - Persephone’s Plight

Talented and multi-awarded Greek New Zealand filmmaker Vicky Yiannoutsos is very excited this week! She is in Greece in pursuit of her dream: bringing her multi-media installation exhibition Persephone’s Plight home to Greece.

In fact, Persephone's Plight homeward journey has already begun.

As we write, Vicky is adding the finishing touches for Persephone's homecoming, which will take place in Kephalonia tomorrow, at the Ionion Centre for Arts and Culture where from the 7th to the 10th of October, Vicky and Persephone will be the honoured guests.

Drawn from over 20 years of travels between Greece and New Zealand, Persephone’s Plight is an exhibition of multiple film and video images which embodies the cycle of the seasons, the phases of birth and death, their activity, their dormancy and the regenerative phases of their eternal cycle.  

Vicky Yiannoutsos outside MIC Toi Rerehiko Gallery 
in Auckland, New Zealand 
with the Persephone's Plight exhibition poster
Photo Source: Emmanuel Yiannoutsos

For Vicky, it is a metaphor for the 20th Century migrant experience – a time of abduction from the Motherland by the lure of the Fruits of the New World. Since first visiting Greece as a young girl, Vicky has identified the myth of Demeter and Persephone as a metaphor for the migrant experience.

Persephone’s Plight is a new chapter in a body of work which has been in progress all my life, where I continue to chose the moving image to express the complexity, confusion, richness and joy that comes from living between cultures.

The year man walked on the moon, my parents announced they were going back to Greece for 6 months and taking me with them, I flatly refused. I’d miss a year of school. I’d miss my friend Mandy!

But the Gods had a plan, the planets were already in motion.

In 1969 I took my own ‘big step for humankind’ and crossed the world to a world that would change my world, forever. I found my emotional touchstone, and would spend the rest of my life returning back there. My father tells me that I announced matter-of-factly that I would one day make a film of our island of Kastos to show the world.

I have used the camera to bridge the restlessness I feel living between two worlds, and has underpinned my work as a film-maker over the last 20 years. From the shooting of the documentary Visible Passage, its ‘20 years on’ follow-up Scattered Seeds, various feature film scripts, and many stories, poems, journals, and letters. This exhibition has given me the opportunity to unpack and abstract some of these ideas, motifs and themes into a gallery setting.

A migrant carries within them two worlds, and they live within the friction and unease of many contradictions. They try to reconcile them. They look for lumber.

When they find their lumber, they build a bridge.

I build mine by telling stories through film...

About Persephone’s Plight 

Vicky represents the 4 Seasons of Migration through the quartets of Birth, Separation, Yearning, Return. Like Persephone abducted by Hades and taken to the underworld where she yearns to return to her Mother, the migrant is abducted by the New World. Separated across the waters, s/he and her Mother yearn for each other.

As Persephone eats the fruits of the Underworld and is irreversibly changed, the migrant partakes of the New World, and is changed. Though the Patrida calls, s/he can never permanently return.

Destined to journey between worlds, (s)he, like her Mother, is trapped in
yearning. The generations that follow – the new seeds – inherit this yearning, this love of a distant culture through Music, Language, Food, Dance, and Stories.

Maybe they can one day return, maybe they can one day stay?...

When we asked  Vicky how she felt, now that Persephone's Plight had brought her back to where it all began, her answer was essentially straight from the soul:

I saw it as an opportunity to return the work back to source in the Ionian Seas– a full cycle if you like. My father, now 92, can’t return to Greece, but I can bring him back to the waters that bore him, through this exhibition. I feel this is quite mystic, at this time in his life, and our relationship.

I’ve been travelling between Greece and NZ all my life, and don’t see that stopping. I love the Ionian isles and am happy to respond in any way that is called upon me to do so, in the future. In many ways, I’m a messenger, or the projection for others who have had similar experiences. It is my job to elicit or stimulate the emotions that exist in those of us, who know this experience of living between worlds. It’s complex, and its deeply personal, and everyone has their own unique emotional response to it, yet the ‘soil’ of the experience – the rich and often complicated relationship with the Motherland – is common and binding...

Strikingly relevant to all of us who have grown up between two cultures, Persephone's Plight presents the eternal and ongoing dilemma of living within two worlds, a dilemma which is particularly appropriate now, as many of Greece's young people retrace the steps their parents took in the 50's and 60's. 

Persephone's Plight is a unique multimedia experience, complemented by fellow Greek New Zealander, John Psathas' composition Flight on Light, beautifully executed by Greek clarinet virtuoso Manos Achalinotopoulos. 

We wish Vicky well and look forward to seeing her exhibition in Athens and in every corner of the Global Greek World very soon.

Bravo Vicky - Καλή Επιτυχία! Wish we could be there with you today...


At Global Greek World, We ♥ Greece...and it shows!
© GlobalGreekWorld 2012 All Rights Reserved

Thursday, March 17, 2011

A World Premiere in Auckland, A Tribute Concert at Athens' Megaron: a Great Week for Global Greek Composer John Psathas

John with Prime Minister Helen Clark, Justine Cormack, Ashley Brown, 
US Secretary of State Dr Condoleezza Rice, and Sarah Watkins, 
at a performance of Helix at Government House in Auckland, New Zealand

It's been a busy week and a particularly significant one for New Zealand's busiest composers... Global Greek John Psathas!


' New Zeibekiko is my dream realised... it will be the most thrilling, terrifying, and moving experience to hear the music of my two cultures fused together.'
 With these words John Psathas, our celebrated Greek New Zealand composer describes the World Premiere of New Zeibekiko, his major new work for orchestra, which takes place tomorrow, Friday, March 18th, in Auckland, New Zealand within this year’s Auckland Arts Festival. 

John's fantastic musical journey has not just taken him round the world, it has also granted him incredible and invaluable experiences,  including a once-in-a-lifetime opportunity to create new compositions and musical arrangements for the Opening and Closing Ceremonies of Athens' Unforgettable, Dream Olympics in 2004 - the highlight of his career, both on a professional and on a personal level.  

Tomorrow's premiere in Auckland is the next major milestone in his success-studded career, the realisation of his dream as he says. 

With the participation of two of Greece's finest traditional musicians, clarinetist Manos Achalinotopoulos and percussionist Petros Kourtis, the Auckland Philharmonia Orchestra will be paying homage to John's Greek heritage with an exhilarating concert celebrating 2,500 years of life and history, the personal, the passionate and the nostalgic and takes concertgoers on a hypnotic journey, inviting responses to the music’s pulsing rhythms and ancient haunting melodies -  

  
'an exciting composition embodying Greece in all its glory, representing the iconic dance, the zeibekiko, and taking audiences on an invigorating journey'

The following is some of what he shared with his followers on Facebook and Twitter, describing the hectic days before tomorrow's Auckland concert..
'last few days of normality. Saturday Petros arrives from Greece. Sunday we start rehearsing with the percussionists. Wednesday to Auckland for 3 days rehearsing with the Auckland Philharmonia Orchestra & performance on the 18th which is the culmination of 7 years dreaming and work on my part' ...

Very busy but very rewarding for John...

Megaron Mousikis - Athens Concert Hall

This last week started very auspiciously for John with a concert at Athens' prestigious Concert Hall, Megaron Mousikis  last Sunday, March 13th 2011, as part of its 20th birthday celebrations. It was the second time one of his works was featured at the Megaron. This time his brilliant 'Djinn' in it's European premiere, was one of the works featured at a concert paying tribute to the Music of the Greek Diaspora ,  


The Athens Camerata paid tribute to four of our highly talented Global Greek composers, Minas Borboudakis (S-Kassiope), John Psathas, (Djinn - I am listening to it here as I write)  Konstantinos Karavasillis (message in a Bottle) and Christos Hatzis (Arabesque)  in the Dimitris Mitropoulos Auditorium.

Performed by the Athens Camerata, and conducted by Alexandros Myrat  with soloists Demetris Desyllas (percussion), Giorgos Panayotidis (violin) and Tasos Pappas (piano), the concert was preceded by a lecture in the Megaron's Lilian Voudouris Musical Library with two of the composers, Minas Borboudakis and Christos Hatzis, with conductor Alexandros Myrat and Musicologist Elias Giannopoulos presenting the works to be performed.  


An excellent evening, a tribute to our very talented Global Greek creators! 


Incidentally, since we are talking about John's recent successes - on the international scene again, but on a different level, the first film score John composed, for Kiwi Western 'Good for Nothing', has received excellent reviews!
"One of the principal glories of the film is the score by John Psathas in which genuine sweep and poetry are combined with affectionate send-ups of Ennio Morricone. It would be a major achievement for an experienced film composer; as a first film score, it's little short of astonishing."  Jim Svejda
"John Psathas' score is perhaps the most fully realised aspect of the film" with its "symphonic John Barryesque sweep".  Josef Woodard The Independent

 John with then PM Helen Clark at the launch of 'View from Olympus'

Bravo, John! We are very proud of you and your achievements and hope that tomorrow's concert is exactly what you hoped it would be - the realisation of your dream and the most successful ever! 

We were thrilled with Sunday's concert at the Megaron and hope that one day in the very near future one of your Greek-inspired works, either ‘View from Olympus’ or 'New Zeibekiko' will also come 'home' to Athens, to the Herodeion or the Megaron!! 

Καλή Επιτυχία from us all! 

More about John Psathas



John’s Music Videos on You Tube




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